Some examples of the final submission I hope to end with. The idea of burying the negative and then reclaiming it, is meant to work in different ways. Firstly as a means to interrupt the image so as to create an object that is changed and in a process of continual changing, Secondly to disrupt the photographs indexicality, to render it as a non photograph. To destroy in a way the photograph but rather than destroying it, transform it into a new object that mediates the fallibility and inadequacy of the pursuit I have involved myself in. To destroy the negative in this way is a means at which i can underplay the photographers desire to hold fast the real and fluctuating processes of both the landscape and the memories held there within.
"I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away."
Ozymandias, Percy Bysshe Shelley.
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away."
Ozymandias, Percy Bysshe Shelley.
